On the PSAT, looking at Energy and Art in Math

On the PSAT, looking at Energy and Art in Math

The past week and a half have seen us focus as a class on three main threads.

The PSAT
Every one of our sophomores takes the PSAT as a means to practice and acclimate that kind of testing environment so that when they take it again as it Junior they are more accustomed to it. In our program, that means an additional layer of testing with multiple choices, since we spend more of our time immersed in deeper thinking about what we know of math and less on practice and rote problem-solving. As a result, the students and I agreed we should spend time just about every day just doing some practice problems which will serve a couple of purposes: give us a better review of the types of math that they are expected to know, cover distinct strategies about doing well on the test, fill in the gaps of areas that they think would help them do better on this first pass at the test. So that end, we’re using resources like the practice tests on majortests.com, the College Board website, and resources that we’ve accumulated to support the math side of the PSAT. We typically start by taking a small number of questions, and then debriefing them either as a class or in groups to better deconstruct the mathematical thinking that underpins those questions.

Energy Auditing
While we are waiting for our full set of equipment to arrive, we have been doing group work tied to understanding how to evaluate a space for electrical energy footprint. Perhaps a example will help in that regard:
Today, their challenge was to take the data from an air conditioner that had been running for 27 minutes, then look at its kilowatt hour usage, and estimate how much it costs to run that device for a month (current Hawaiian Electric cost: $0.34 per kWHr). Once they had that determined, they were then challenged with going to a building, counting how many air-conditioners are in that building, and estimating what the monthly electrical charge is to run the air conditioners in that building. I’ve attached Josh and Kris’s sheet that they gave me as an example, there is also a bonus questions that they were given to determine what the cost should be to run a fan instead – you’ll see that on the bottom:

Josh and Matt's solution for the cost of running the air conditioner in my office

Josh and Matt’s solution for the cost of running the air conditioner in my office

The goal of all this initial work, is to create a more careful eye on their part, not just in being able to calculate correctly the energy usage of the device, but to also think about where these things are and how they might take a position with the client in helping them consider ways to save money and energy.

Math in Art

In my last blog post I talked a bit about the project we are undertaking to work with math and art. I just want to share a couple of artifacts that are still in their early stages, but they give a hint of the work that is to come. The pictures below is a shot of both a student hand-drawn art, and the mathematical models using Desmos that give an indication of how they can translate art into clear mathematical function and form.

Emma's art and math model (first pass)

Emma’s art and math model (first pass)

Student work mimicking Albers

Student work mimicking Albers

***the skill and process of critiquing***

One of the things we believe fundamentally is the importance of critiquing and feedback in improving student work and developing a greater sense of autonomy/agency in student work. Once the students completed their first sketch, they used post it note pads to give each other feedback following our agreements development from Ron Berger:

Be Helpful
Be Kind
Be Specific

Examples of the process :

IMG_2923

Thinking about helpful specific feedback

Thinking about helpful specific feedback

Blaine Critiques

Blaine Critiques

Josh leaves some ideas

Josh leaves some ideas

some critique on a draft

some critique on a draft

student critiquing

student critiquing


the students did blog posts last week in which they talked about their first round of drawings, the feedback that they received, and their directions. Here are two nice examples from? And? That show where they’re at and give some hint of where they’re going.

More updates to come in another week…

Exploring Math in Art and BIG electricity

On Math in Art and Big Electricity

This is a summary of our activities of our work in MPX STEM 10 from the week of Sept 9 as well as some glimpses of where we are going.

My work on trying to create hands-on engaging MAth activities and projects continues. This past week I was trying to find ways to more fully investigate inequalities and thought a lot about the work done by Alfred Solis at High-Tech High and one of his activities that looked at creating art using mathematical functions here:
Alfred Solis

In the midst of this, I found a wonderful free graphing ipad app and website that I started using with my students to better understand everything from permutations, to just the complexity of mathematical relationships and how they represent themselves visually:
https://www.desmos.com

The combination of Desmos and the art piece from Solis have let me design a activity that investigates art through mathematical functions in inequalities although I’m still working on some of the final assessment rubrics, the document can be found here:

Before we started on the activity, we downloaded and installed the Desmos app, and explored linear and conic section functions in a 45 minute activity. One of the things we used to help us understand these were the examples of art on their website that show the ways that people have taken ellipses, hyperbola’s, lines and other math functions to create artwork. One of the beautiful things about this is that it reinforced the importance of defining domain and range, to limit the parts of a function that might be used to create an arc of limited size, for example. You can see some of these examples here
https://www.desmos.com/art

As you can see from my document, it walks the students through some basic steps:

** understanding the difference between bitmap and vector graphics

** looking at some geometric centered art in understanding its place both as art and historically (examples below)

Cubism example from Picasso

Cubism example from Picasso

A piece from Albers

A piece from Albers

Kadrinsky

Kadrinsky

Mondrian

Mondrian

** creating a draft of one type of art that they would like to explore in pencil

** a round of feedback to improve the drawings (our consistent effort to model the work of Ron Berger)

** a final color to drawing based off of the improved sketch

** mapping the coordinates of the final color drawing to determine the mathematical statements that need to be constructed to mimic the art using the app Desmos, constructing the model mathematically

Last week the students worked on steps one and two, and in class this week they will be working on their sketches and giving feedback – one student has already jumped ahead and am pleased already with what I see for a first draft here:

A little Kadinsky and Mondrian

A little Kadinsky and Mondrian

On my next blog post, I’ll update where we are at – hopefully will have colored drawings and maybe some coordinates mapped out.

Our other big event of the week was a field trip to the Hawaiian Electric (Heco) power plant at Waiau. In an earlier blog post, I commented on the work we’ve been doing utilizing the Castle curriculum to better understand electricity. The goal of this has been to lead us to have a good working understanding of electrical energy as we conduct energy audits. In order to anchor the work were doing in a more real way, it was time to visit an actual place where electricity is generated on an industrial scale. Led by Marshall Costello, the senior supervisor for training, the staff at the plant were excellent in both talking about how electricity is made, the historical background of power in the islands, and current plans for diversifying the ways that electricity is made and supplied to residential and business customers in the islands. Certainly, the real excitement came from the walking tour in which they took us through the main steps involved in conventional electric power generation:

burning some fuel to create heat energy
creating steam under high heat and pressure to turn a turbine
using the turbine to spin a generator
distribution of the output of the generator through cables and transformers

HECO graphic of electrical generation

HECO graphic of electrical generation


The students asked marvelous questions that ranged from the type of fuel that is used to the plans to diversify with photovoltaics, wind and wave energy and ocean thermal conversion.

Many thanks to Marshall and his crew provided such an excellent learning opportunity for our students! they invited us to come back later in the year if we need more information to help with our research and our community active role.

Turbine and Generator = 40 MegaWatts made right here!

Turbine and Generator = 40 MegaWatts made right here!

Sean checks out the boiler where they inject the oil to create the fire ball

Sean checks out the boiler where they inject the oil to create the fire ball

Heading up to Waiau 7 one of 8 units at this facility

Heading up to Waiau 7 one of 8 units at this facility

Control room for Waiau 7 & 8 - all the process is controlled from here

Control room for Waiau 7 & 8 – all the process is controlled from here

The screen the operator sees - only 3 people work the entire unit in any time block

The screen the operator sees – only 3 people work the entire unit in any time block

Walking out towards Waiau 7&8

Walking out towards Waiau 7&8

Transformer that takes the electricity from the generator and steps up to 13 kV

Transformer that takes the electricity from the generator and steps up to 13 kV

Briefing from Marshall Costello and his crew

Briefing from Marshall Costello and his crew

Old decommissioned control room from 1950

Old decommissioned control room from 1950 – Note the old school analog displays

Math Activity design: Modeling Linear functions

Mathematical Modeling, Authentic Math Activities and Standards

One of my goals for this year is to create (or borrow liberally or adapt) hands-on, minds-on engaging and authentic activities to teach and practice math concepts – both those in our Core Content (in my case Algebra II) and from the Common Core (which our Math Scope and Sequence aligns with).

For this past week I was designing around the following MPI core concepts:

Relation Properties,
Domain and Range,
Functions Properties,
Function Notation Direct Variation,
Slope,
Slope-Intercept form,
Graphing Lines

Which loosely corresponded to the following Common Core Standards:

Understand the concept of a function and use function notation (F-IF 1,2)
Create equations that describe numbers or relationships (A-CED 2)
Interpret functions that arise in applications in terms of context (F-IF 4, 5, 6)
Analyze functions using different representations. (F-IF 7, 8, 9)
Build a function that models a relationship between two quantities (F-BF 1)

My goal was to construct an experience that students would design and implement an experiment that would make them collect, analyze and model a behavior in the real world. This is what is looked like:


Mathematical Models and Modeling Functions
Goal: To design and practice the common core standards around linear model functions
Step 1. Define and design an experiment that you can conduct with existing classroom equipment that will generate a set of at at least 6 data pairs to examine the relationship between two variables of your choosing.
Your goal should be for this data to test a hypothesis that the relation is linear.
You must get permission for the teacher to move forward to step 2. You must define:
• your purpose
• your independent and dependent variables
• your anticipated domain and range
• your rationale for why you expect a linear relationship • your apparatus and procedure
Step 2: Conduct the experiment. Make sure to run AT LEAST 3 trials to minimize error.
Step 3: For your submitted report, you must complete the EVALUATION section of our standard lab report:
a table of calculated values
a graph that includes appropriate axes and labels as well as attempts to linearize your 
data
a statement of the relationship
a mathematical model of the data, including slope and intercept with correct units. 
(This should be in slope intercept form)
a brief discussion of the results and any divergent issues

The students proposed a variety of very interesting experiments (see below pics) – and although not all would actually lead to direct relationships, part of the ‘game’ was not pre-judging for them what might occur. That in itself led to some interesting conversations about best fit lines, the shape of data, and how we know what kinds of relationships are happening between variables in our experiments.

time it takes a ball to drop from different heights

time it takes a ball to drop from different heights

how does mass affect a pendulum's period?

how does mass affect a pendulum’s period?

time it takes a cylinder to roll different distances

time it takes a cylinder to roll different distances

does the mass/size of paper airplane change its travel distance

does the mass/size of paper airplane change its travel distance

time it takes a ball to roll through different amount of pegs on a surface

time it takes a ball to roll through different amount of pegs on a surface

comparing height of drop and bounce height for a tennis ball

comparing height of drop and bounce height for a tennis ball

classroom in experimental mode - students acting as scientists and mathematicians

classroom in experimental mode – students acting as scientists and mathematicians


So how did it go? I think the notion of creating real opportunities to practice and implement our mathematical understanding are the places where real mathematicians and the habits of minds of mathematics at her. Certainly, it exposed areas where students were still unsure about something as simple as slope intercept form, or what kind of relationship a scatterplot of data that is not quite linear means. All in all, it lends itself to working and thinking as real mathematicians and scientists, which is the goal of a good STEM education. Here are two examples of submitted work from the activity (in pdf format):

slinky

Bounce Height of a Tennis Ball copy
So what’s next? The work that’s coming up next deals with inequalities, and so I’ve been inspired by some work that Alfred Solis did when he was at high Tech high on the connection between art and mathematical form. More to come on this in the next week… A little hint of where were going below:

can we create a mathematical model of this?

can we create a mathematical model of this?